After a trio of films that saw François Ozon feeling out the far extremes of his interest and ability — 2016’s monochrome interwar melodrama “Frantz”, the winking De Palma-esque mindfuck “Double Lover” and last year’s journalistic Catholic priest exposé “By the Grace of God” — […]
‘Summer of 85’: François Ozon Returns with a Scintillating Romantic Throwback
